Again, I think it's a kludgey workaround. adjusting the channel volume sliders on Kontakt's internal mixer while the sequence runs, then editing that automation later in Logic. Lastly, some folks resort to automating volumes within the plugins, ie. There are also numerous tutorials and how-to's on this forum and others, which you can probably find if you search "multitimbral aux".
Search the forums (or Kontakt's manual or Garritan's site) for info on how to set up numerous auxiliary outs, and that should get you going. Personally I can't believe people don't complain more about what a needlessly awkward workaround this is, all to achieve the same basic functionality we've had in MIDI for almost 20 years now ⚠.īut that's the way it's always been done on Logic, and from the looks of it, there's no reason to expect it to change anytime soon. For example, automatic variability imparts subtle changes in tuning and timbre, and portamento controls let you continuously glide between notes like string or trombone players. So you have to set up a bunch of virtual 'aux' channels, route the various VI channels to the separate AUX's, then control or automate the volume of those aux channels separately from the 'master' VI. In addition to these four basic controls, Garritan Personal Orchestra 5 features other controls for greater control over your instruments, all of which are user-adjustable. And other DAW's - I'm told - have no problem separating the volume commands for individual channels of a virtual instrument. By contrast, Logic has no problem doing this with external MIDI modules. The problem stems from the fact that Logic can't separate the channels (or 'channelize') the volume and pan controls for the individual MIDI channels of a multitimbral virtual instrument. The bottom line is that has been one of Logic's most glaring "missing features" for years, in my book.
0 kommentar(er)
